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	<title>Fairy Revel &#187; conflict</title>
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		<title>Irreversible Change</title>
		<link>http://fairyrevel.com/2010/02/04/irreversible-change/</link>
		<comments>http://fairyrevel.com/2010/02/04/irreversible-change/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 22:57:24 +0000</pubDate>
		<dc:creator>Charise</dc:creator>
				<category><![CDATA[The Art of Writing]]></category>
		<category><![CDATA[conflict]]></category>
		<category><![CDATA[htryn]]></category>
		<category><![CDATA[technique]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://badgerish.net/?p=213</guid>
		<description><![CDATA[In How to Revise Your Novel lesson two, Holly Lisle says that the kind of change that matters is &#8220;irreversible change&#8221;. Using the example of a character getting a new haircut, she points out that it isn&#8217;t interesting to the reader because the character&#8217;s hair will grow back, there is nothing life-changing about it. I [...]]]></description>
			<content:encoded><![CDATA[<p>In <a href="http://howtoreviseyournovel.com/?rid=25" target="_blank">How to Revise Your Novel</a> lesson two, Holly Lisle says that the kind of change that matters is &#8220;irreversible change&#8221;. Using the example of a character getting a new haircut, she points out that it isn&#8217;t interesting to the reader because the character&#8217;s hair will grow back, there is nothing life-changing about it.</p>
<p>I think she has a good point. Though one could argue that something irreversible could happen <i>because of the character&#8217;s haircut</i>, the haircut in and of itself is not an important, irreversible change.</p>
<p>It occurs to me, on the other hand, that it&#8217;s possible for even irreversible change to be rendered meaningless. Even if there&#8217;s foreshadowing and build-up to a supposedly significant, irreversible change, if the change happens and doesn&#8217;t carry the weight implied by the foreshadowing, the reader is disappointed and bored. The reader may not understand why they&#8217;re left feeling dissatisfied, but the author failed to supply the promised payoff.</p>
<p>In the books leading up to <i><a href="http://www.amazon.com/gp/product/031606792X?ie=UTF8&#038;tag=badgerish-20&#038;linkCode=as2&#038;camp=1789&#038;creative=390957&#038;creativeASIN=031606792X" target="_blank">Breaking Dawn</a></i> by Stephenie Meyer, we are told time and again that becoming a vampire is life-altering, it&#8217;s tragic, and that it&#8217;s difficult&mdash;nearly impossible&mdash;to control the vampiric bloodlust. The question of damnation in the afterlife is brought up directly and indirectly. Bella begs to be changed into a vampire, and Edward refuses her every time, not wishing the unlife of a vampire on someone he loves. Finally, in <i>Breaking Dawn</i>, Bella is given her wish, but instead of watching her struggle to transition into the life of a vampire with her respect for human life intact, we learn that <i>being a vampire is easy!</i> It&#8217;s even fun! She has the special powers, and she has super-resistance to that pesky bloodlust after all! The issue of damnation is never brought up again, and Bella is even able to maintain a relationship with her father.</p>
<p>This is an irreversible change that has no meaning. Life is barely different for Bella than if she&#8217;d never become a vampire at all, except that she has super powers that are only helpful. There are no drawbacks. Edward&#8217;s reluctance to change her in previous books now seems like mealy-mouthed excuses. What was he so worried about?</p>
<p>So it&#8217;s not only that the change needs to be irreversible. It also needs to create conflict, and it needs to be followed through with just the right amount of payoff.</p>
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